marcel barang

Resignation (2)

In English, Reading matters on 06/12/2009 at 6:48 pm

 

– and you remember your sense of awe when, past the first appalling concussion and smoke and splash around of blood and shredded flesh, those youngsters do the unthinkable logical thing:

urged on by their leaders, they master panic and sit down, even clearing a path for the first-aid squad that comes rushing to the victims. By then, grenades and petrol bombs have become a routine risk in their ever ongoing protests, which are riots of colours with plays and songs and indignant if polite vociferation punctuated by – to your newcomer’s ears – puzzling “khrap-khrap” and “kha-kha”. The best died young, in those days. A few weeks later, in the sweltering heat of dusk, when not a leaf stirred, a hundred irate police officers passing Maekhong bottles around in gulps and bounds tittuped down the lane to the prime minister’s house and undertook to ransack it. You happened to be his almost neighbour and almost delirious with a bad case of the flu that day. You stand watching as the mob breaks its way through the fence, spreads inside like fire ants and sets out smashing furniture and then, finding no one to bash, begins to shoot. It’s so unreal you just stand there until some seasoned reporter pulls you to the ground with a blast of expletives.

It was all this you kept thinking about. And then more. Thought of urbane beer-guzzling Neil Davis, heavy camera on shoulder, sweating profusely in his safari suit, standing filming deaf to all warnings and then falling dead in the line of fire of a tank muzzle, during one of those periodic coup attempts Bangkok has learned to live with.

Later, elsewhere, in Tiananmen Square, hands down, head bare, a lone man had walked and stood his ground and made a whole column of armoured cars grind to a halt. The whole world was watching on TV from a distance (tele lens from above). You saw the picture the next day in the papers. How did it end? What did they do to the democrazy hero once the camcorders were switched off?

How will it end? Yesterday round lunchtime you snatched a few moments to walk up to the Royal Esplanade, approaching it from the other side of where the grenade had exploded that time. The bridge is bare of traffic, cut off on the other riverbank by a cordon of guns and goons and chevaux-de-frise. There are more of these on the side you come to – a row of metallic fences, coils of barbed wire, uniformed automatons with blank faces under bulbous helmets toting black weapons like sacerdotal dolls and strutting back and forth under the scorching sun, which flashes on every barrel

every bulb

every spire of the golden-red festoon of palace tops beyond the dusty trees over there. Fluffy bits of clouds creep through a white-hot sky. The tarmac shimmers with heat and smells of diesel, dust and death. The crowds of the days before have been pulled back. You guess there must be some milling about going on by the Royal (the hump of the road hides the bottom part of the hotel) and down the main avenue, perhaps as far down as the Dusit palace where the king keeps inexplicably quiet. Between the trees on the esplanade there are cryptic comings and goings of jeeps. Nothing to be seen but brute force under raw heat. Nothing to be felt but a sense of imminent disaster. You slouch back through the quiet back lanes to the mountain of work waiting on your desk.

Thus it was another day of hard grind in front of the computer, after so many other days and nights of hard, patient, maddening, endless grind. Will it end? How will it end? That night, there was a clash around the Esplanade. Buses were commandeered and set ablaze. The Public Relations Department building shot up in flames, a blatant provocation. The military corralled demonstrators into the lobby of the Royal hotel. TV footage there showed the boots in action. You missed all this, laying out pages until late at night, came out dazed to rattle after rattle of lead firecrackers in an unquiet sky, crossed the river in the dinghy the old woman operates after normal ferry hours, bless her, found a taxi back to sleeping wife and daughter, and four blank hours later, this very morning, read all about it in the papers while gulping the usual two mugs of Arabica with butter-’n’-jam toast. Confrontation had been building up for weeks. Ever swelling crowds armed with neckties, portable phones and pluck, versus the might of the military once again in power and once again gone berserk. Angels and devils, the papers were saying. You wished it were that simple, but you hadn’t watched the local scene for nearly twenty years to believe in black-and-white fairy tales, give or take the proverbial “third hand” and sundry “dark influences”, fig-leaf shorthand of no-balls journalism. Angels and devils – each pulling strings, each being pulled. The soldiers yesterday had rings of sweat under their armpits and rings of worry round the slits of their eyes.

The froth of the times had spilled over your staff like draught beer.

Resignation (1)

In English, Reading matters on 05/12/2009 at 2:52 am

 

I occasionally write tales, i.e. reports of moments of the life I live, as this blog testifies. Only once in my life, around the turn of the century, did I write a short story, a short story I had to write, because for days beforehand I was haunted by a vision of it, from some nighttime dream and daytime musing, with editorial me slaving away in a dark corner of a staircase: this much is untrue, although it belongs to a previous period of my working life. Apart from this in situ variation, everything in the story is as I lived it, and yet it is fiction: I conflated events one year apart.

That outing to Pakkret the other day, meeting old-timers from that period, reminded me of that decade-old text which not half a dozen friends have read. I’ll string it along over the next few days, while busy deciphering the last book of Four Reigns – I’m on page 1022 with only 240 more to go.

The world was crumbling. Theirs. Yours too. That much you knew. There was dazzling sunlight beyond the blinds. Always is on a May morning. But your heart felt like mourning, and the office was in shadow, the thicker for the pulsating glare of the computer screen. Over the hum of the air-con came crispy plops like cereals soused with milk. You had heard gunshots before. Hands in a flurry over the keyboard, you sat cramped at your desk virtually below the stairs

—out of which hurtling down pops Long John. “They’re shootin’ like mad out there,” he gasps, choking cough! cough! on his Marlboro. “Bullets hit a billboard upstairs, can you imagine, and I got showered with splinters. The motherfuckers ’ve gone berserk.” He surveys himself, pats imaginary dust off his dirty white shirt, snorts out smoke that catches in his shaggy hair. The twitch in his left eye pulls at his cheek and mouth corner like mad. “No, I mean, we’re more ’n five hunnerd yards away, for fuck’s sake.” Hoarse voice hoarser still. “Trigger-happy sonzabitches, ha. Near the Royal, I bet.” Shakes his mane, his mouth pursed with a sense of personal grievance, or is it childish wonder? “I gotta see that, I got-ta. Come along, man, take a break as well: there’s no one left in the building anyway.” You sigh, stretch back your neck to ease shoulder pain. “They won’t let you. The place’s fenced off. But suit yourself. I can’t go. Someone’s got to fix the commas.”

“Yeah, right, Nero, fiddle with copy while Rome burns,” was his parting shot. Not bad for a Bronx expat. And he was right: you were tickling your keyboard while Bangkok was ablaze.

But then, who else was going to put the issue to bed? They had dumped their copy on your desk, and gone out to join the crowds and share in the fun, and there you were jostling with maimed grammar and warped graphs, and your own sense of impending doom, brought about no doubt by more than a year of such excessive work you had constant premonitions of death, and your own sense of guilt for not being out there watching history in the making. But then you had always managed to miss the ghastly fun, a fine journalist with no sense of timing. The 1973 rebirth of democracy? Forget it, you made it to Thailand one year before and one year after. The 1976 right-wing backlash? A friend, in a fit of revulsion, had bought all the Thai papers she could find and kept them to show others, and the sets of pictures they splashed made you want to puke. The lynching, the still-twitching bodies doused with piss, barbecued on tyres, the demonic faces, the hatred, oh the hatred, and that now famous shot of a jubilant police officer squinting fag hanging out of his rictal lips as he fires arm outstretched at an unseen target. Before these epoch-making fits of Thai hysteria, you had managed to get your baptism of fire twice on trivia, right in the heart of town. On a sunny morning like today’s, when a grenade twenty yards away tore a hole in the kilt of jolly young demonstrators lounging all over the Royal Esplanade – and you remember your sense of awe when, past the first appalling concussion and smoke and splash around of blood and shredded flesh, those youngsters do the unthinkable logical thing:

Closing time (2)

In French on 03/12/2009 at 12:38 am

 

L’heure de la fermeture

par Leonard Cohen

Ah, on boit et on danse
Et l’orchestre en met un sacré coup
Et la sagesse Johnny Walker carbure à fond
Et ma très douce compagne
Est l’ange de la compassion
Elle frotte la moitié du monde contre sa cuisse
Et chaque buveur chaque danseur
Lève vers elle un visage béat pour la remercier
Le violoneux violone un air si sublime
Toutes les femmes arrachent leurs chemises
Et les hommes dansent sur les motifs à pois
Et c’est changement de partenaire
Et l’enfer à payer quand le violoneux s’arrête
C’est l’heure de la fermeture

Ah on se sent seul, on est romantique
Et il y a de l’acide dans le cidre
Et l’Esprit Saint qui crie, ‘Où est le bœuf ?’
Et la lune nage toute nue
Et la nuit d’été est parfumée
D’une furieuse envie d’être soulagé
Aussi on lutte et on titube
Dans le dédale du jeu de l’oie
Jusqu’à la tour d’où les heures bénies sonnent
Et je jure que c’est com’ ça que ça s’est passé :
Un soupir, un cri, un baiser glouton
Les portes de l’amour ont bougé d’un pouce
Je peux pas dire qu’il s’est passé grand-chose depuis
Sauf que c’est l’heure de la fermeture

Et je jure que c’est com’ ça que ça s’est passé :
Un soupir, un cri, un baiser glouton
Les portes de l’amour ont bougé d’un pouce
Je peux pas dire qu’il s’est passé grand-chose depuis
Sauf que c’est l’heure de la fermeture

Je t’ai aimée pour ta beauté
Mais ça ne fait pas de moi un idiot :
Toi aussi tu en étais pour ta beauté
Et je t’ai aimée pour ton corps
Il y a une voix qui sonne comme Dieu à mon avis
Qui déclare, déclare, déclare que ton corps c’est vraiment toi
Et je t’ai aimée quand notre amour était béni
Et je t’aime à présent qu’il ne reste rien
Que chagrin et le sentiment d’avoir trop duré
Et tu me manques depuis que l’endroit a été saccagé
Et je me moque de ce qui va se passer ensuite
On dirait la liberté mais ça ressemble à la mort
C’est quelque chose entre les deux, je suppose
C’est l’heure de la fermeture

Ouais, tu me manques depuis que l’endroit a été saccagé
Par les vents du changement et les malesherbes du sexe
On dirait la liberté mais ça ressemble à la mort
C’est quelque chose entre les deux, je suppose
C’est l’heure de la fermeture

Ouais, on boit et on danse
Mais il ne se passe rien en fait
Et l’endroit est mort comme le paradis un samedi soir
Et ma très proche compagne
Me rend tout chose et me fait rire
Elle a cent ans mais elle porte un collant
Et je lève mon verre à l’affreuse vérité
Qu’on ne peut pas glisser à l’oreille des jeunes
Sinon pour dire qu’elle ne vaut pas un clou
Et le foutu bazar devient deux fois plus fou
Et c’est un coup pour le diable et un coup pour le Christ
Mais l’patron aime pas ces hauteurs vertigineuses
On se fait piéger dans les lumières aveuglantes
Piégés dans les lumières aveuglantes
À l’heure de la fermeture

Le foutu bazar devient deux fois plus fou
Et c’est un coup pour le diable et un coup pour le Christ
Mais l’patron aime pas ces hauteurs vertigineuses
On se fait piéger dans les lumières aveuglantes
Piégés dans les lumières aveuglantes
À l’heure de la fermeture

Oh, les femmes arrachent leurs chemises
Et les hommes ils dansent sur les motifs à pois
C’est l’heure de la fermeture
Et c’est changement de partenaire
Et l’enfer à payer quand le violoneux s’arrête
C’est l’heure de la fermeture
Je jure que c’est com’ ça que ça s’est passé
Un soupir, un cri, un baiser glouton
C’est l’heure de la fermeture
Les portes de l’amour ont bougé d’un pouce
Je peux pas dire qu’il s’est passé grand-chose depuis
Sauf que c’est l’heure de la fermeture
Je t’aimais quand notre amour était béni
Je t’aime à présent qu’il ne reste rien
Sauf que c’est l’heure de la fermeture
Tu me manques depuis que l’endroit a été saccagé
Par les vents du changement et les malesherbes du sexe